The temporary House of Commons & restoration of the Palace of Westminster

What was the question this proposed temporary Parliamentary chamber and the restoration of the Palace of Westminster endeavours to answer?

  • Is it reinstating and refurbishing Barry’s 165+ year old Palace of Westminster which is now clearly no longer fit for purpose, too small and inadequate, in need of reform, and in a country desperately needing regional regeneration? And all at a time when Gov. has divested its civil service premises across Whitehall?  
  • Is this restoration being embarked on when a new constitutional settlement appears to be needed as the nations of the UK are perilously close to splitting, and what message will this contribute to that debate? Or for example at a time when there is a known need for reform of the House of Lords, which few have had the courage to face, while Parliamentarians still have constrained and inappropriate accommodation?
  • Is this just another vanity project that has had insufficient public debate, lacks imagination, vision and leadership, due interrogation, scrutiny, evaluation and appraising of the underlying need? Because this appears to have been procured with Grayling panache and many similar deficiencies to Brexit, Crossrail, or the Garden Bridge etc. – that certainly won’t elicit public confidence in either process or results.
  • Might the lack of any interrogation and resolution be further manifestation, if any was needed, of the institution of Parliament failing its wider remit?
  • Although the project management may be evolving towards an ‘Olympics style’ delivery, is the raison d’etra simply expeditious, poorly considered and lacking foresight?

To some/all of these questions, and for many, the answer is increasingly YES![i]  (whatever the merits of the architecture of this temporary Parliamentary chamber, the demolition of the grade 11 Whitefield building and the recent Bill to oversee restoration and renewal of the Palace of Westminster, introduced only recently)[ii]  

Why the Palace of Westminster and temporary Parliament building might be the most appropriately progressive upcycling of well-loved buildings has not been sufficiently debated, cogently argued nor tenably expressed.

Unless persuasive arguments can be advanced, achieve consensus and national commitment within the current and emerging political context, the Parliamentary restoration project will likely become increasingly fraught while, ironically, further undermining the institution it seeks to restore.

The MP’s expenses scandal may pale to insignificance if in this context this is seen as another case of Gov. and parliamentarians ‘open’ accounting – ie spending recklessly, wilfully and on their own vain frivolity.

The IMF report that the Tories have now borrowed £816 bn in 8 years, while in 8 years they’ve increased debt by £1 trillion from £759 bn to £1.7 trillion, which is more than Labour ever did in 33 years in office. At issue is whether such sums might be better expended on addressing many pressing social, environmental and economic needs, as well as the robust institutions necessary to provide them. Yet instead hugely wasteful spending is detrimentally growing. 

This project is equally in danger of becoming a national millstone. It forms part of the £1.6bn masterplan, the Palace of Westminster refurbishment is projected to cost £4bn while the temporary building will cost roughly £400m.[iii]  The Parliamentary Public Accounts Committee recently reported that The Palace of Westminster refurbishment, relocation costs and programme remained vague and unverifiable. 

“the process by which and by whom some decisions have been taken on restoration and renewal to date are opaque” and it concluded “it is our view that it would be imprudent for the House to commit to a specific option or timetable”. [iv]  

The costs inevitably will rise yet the projects value and political suitability, beyond symbolism, nostalgia and geographic inertia, appear undefined.

When Barry won the design contest in 1835 for The Palace of Westminster he estimated a construction time of six years, and a cost of £724,986.  The public competition stipulated that the style was to be either Classical (associated with revolution and republicanism) or Gothic (associated with conservative values). Land was reclaimed from the Thames flood plain for the construction. The project in fact took more than 30 years to build, at a cost of over £2 million, with The House of Lords first sitting in their new purpose-built chamber in 1847 and the Commons in 1852.[v]  Perhaps there are some lessons here, and in 100-165 years with sea levels due to rise this will be a strategically vulnerable site, if government is planning for resilience and sustainability.

Because the current proposals don’t seem to have any vision, foresight, logic or clear sense of the zeitgeist, the country might like to know where all this money is going and why this is an appropriate spend.

This project doesn’t seem fit for a fluid, progressive and modern democracy.

Palace of Westminster

An indicative image of the temporary House of Commons Chamber, which will feature new public and press galleries, public spaces for visitors, and education and participation spaces. Source:Forbes Massie Studio

Images:

1. Indicative image of the temporary House of Commons Chamber, which will feature new public and press galleries, public spaces for visitors, and education and participation spaces. Source:Allford Hall Monaghan Morris.

[i] Temporary Parliament ‘extravagant, time wasting and destructive’, say heritage campaigners and architects. Harry Yorke, The Telegraph 10 May 2019 https://www.telegraph.co.uk/politics/2019/05/10/temporary-parliament-extravagant-time-wasting-destructive-say/

[ii] Parliamentary Buildings (Restoration and Renewal) Bill 388 2017-19 https://publications.parliament.uk/pa/bills/cbill/2017-2019/0388/190388.pdf

[iii] Parliament refurb: AHMM reveals first images of MPs’ temporary home. Richard Waite, Merlin Fulcher. Architects’ Journal 8 May 2019. https://www.architectsjournal.co.uk/news/parliament-refurb-ahmm-reveals-first-images-of-mps-temporary-home/10042396.article?blocktitle=News&contentID=19637

[iv] PAC. Report 16 March 2017 on Restoration and Renewal of the Palace of Westminster: Preliminary Report Contents. https://publications.parliament.uk/pa/cm201617/cmselect/cmtreasy/1097/109703.htm#_idTextAnchor006

[v] Architecture of the Palace. Rebuilding the Palace www.parliament.uk/about/living-heritage/building/palace/architecture/palacestructure/rebuilding-palace/

Survey Results on UK Government Framework Agreements 2018

Results from the survey to discover if SMEs found the widely adopted Framework Agreement a simple and rewarding process for winning new business from government are now reported below and available HERE.

The survey has been run on behalf of the Frameworks Working Group, a part of the independent SME Advisory Panel advising on central government procurement and targeted key small businesses (& not just construction professionals) providing a wide range of niche products and services to departments across Whitehall.

The results from more than 200 responses are clear.

Framework agreements are often disliked by SMEs who feel that they are written in complex language, have expensive and time consuming tender processes, are inflexible and favour large companies over smaller ones.

Crown Commercial Service are studying the report’s findings and have pointed to several new and ongoing actions government is taking to level the playing field for small businesses including:

  • considering where different kinds of procurement vehicle, including Dynamic Purchasing Systems, are suitable delivery models. Crown Commercial Service itself has launched three DPSs in the last 12 months, with five more being developed. We also know of a number of these flexible systems across other government departments;
  • simplifying public procurement with the new, plain English ‘Public Sector Contract’ – removing duplication from the application process for suppliers;
  • consulting on proposals to exclude suppliers from major government procurements if they cannot demonstrate fair, reliable and effective payment practices with their subcontractors;
  • requiring suppliers to advertise subcontracting opportunities via the Contracts Finder website and to provide the government with data showing how businesses in their supply chain, including small businesses, are benefiting from supplying to central government.

2018_FRAMEWORK SURVEY_RESULTS 

 

Northern Ireland is now open to fixed fee tenders

In N. Ireland methodologies on the procurement of design, where lowest price is no longer the determining factor have now been agreed between the Central Procurement Directorate (CPD), the RSUA & the construction sector (announced Sept. 2018). This halts the race to the bottom.

Under the pilot all construction services contracts to be awarded by CPD, both above and below the EU threshold, will be awarded in one of the following ways:

  • Projects with no quality assessment at tender stage will be awarded based on the Mean Narrow Average calculation;
  • Projects with a quality and price assessment at tender stage will base the price score on the Mean Narrow Average calculation; or
  • Projects with a fixed fee tender will be awarded on the assessment of quality only.

The first CPD procurement using the Mean Narrow Average is currently at prequalification stage.

Mean Narrow Average

In a move to ensure value, the fundamental shift is that the best price will no longer be the lowest price but the price that is closest to an average.  The average that will be used is a ‘narrow average’. The lowest price and highest price are not part of the calculation to establish the ‘narrow average’.

Full details of the Mean Narrow Average calculation are available here.  Those interested in bidding for CPD projects are strongly advised to review this and ensure they fully understand it.

For all in construction, and design professionals in particular this is surely an extremely welcome and long overdue step.

But this is not the only one of the advances being made in the UK nations -N. Ireland, Scotland and Wales have all now also adopted Project Bank Accounts although from different threshold values.

Isn’t it now time for England to advance, reform and follow suite?

No Brexit deal – Accessing Procurement Notices

If there is no Brexit deal significant questions need answering about how all UK public contracts covering services, works and supplies, will be published, accessed, completed and remain transparent for public clients and commerce. Government announced on 13 September 2018 that if there is no deal a new UK e-notification replacement system will be made available on 29 March 2019, and notices will be published there, rather than in ‘The Official Journal of the European Union’ (OJEU) published online via Tenders Electronic Daily (TED) .  Continue reading “No Brexit deal – Accessing Procurement Notices”

Carillion’s Collapse. Let’s learn lessons from this failure.

Carillion’s collapse: Project Compass director Russell Curtis has called in ‘Let’s hope the lessons of Carillion’s failure will be learnt’, (AJ 17 January 2018) for “a more diverse supply chain to avoid another Carillion catastrophe, so we can face a future with a diverse, specialist and varied supply chain, which matches projects with proficiency and project scale with practice size.”

The growing crisis within the building industry shows that the driving policies and practices which are aggregating contracting into ever larger private contracts is simply failing, from the Edinburgh Schools fiasco, Grenfell and now Carillion’s collapse.

In UK procurement far practice greater regard now needs to be placed on the available provisions within Directive 2014/24/EU and the Public Contract Regulations 2015 (noted in the informative below).  These provisions have to date been in effect disregarded in procurement within England.

Continue reading “Carillion’s Collapse. Let’s learn lessons from this failure.”

Open Call for the Venice Biennale 2018

PCompass Open Call for VenicePLEASE NOTE: the deadline for submissions has now been extended to 23 March 2018.

Short illustrated articles on your experiences of architectural competitions in Europe are invited for the Venice Biennale 2018.

This Open Call is part of a project that aims to improve architectural competitions and  design contests by appraising comparative performances, procedures and outputs across Europe to identify issues and best practices, for their improvement and reform. It  is part of the joint European programme on Competition Culture in Europe by Project Compass, Architectuur Lokaal and A10 New Architecture Co-operative to be presented in the Italian pavilion, Palazzo Widmann at Venice Biennale in May 2018. Outputs will also be available across Europe on thefulcrum.eu.

To submit please let us know, by writing to ProjectCompassCIC@gmail.com

SUBMISSION DETAILS & REQUIREMENTS:

Word length:

  • 400 -1000 words
  • Not including the basic details set out below and any references.

Images:               

  • Min. 2 – Max 6 images. Plans & sections are particularly welcome. Please ensure and confirm the images are licenced creative commons use.

Subject Areas:

  1. Experiences collected from architects who have won Design Contests* abroad, to better understand the conditions that apply after a specific competition win in another country, including the benefits and obstacles. 
  2. Critical reflection by architects on substantive competition issues including their practices and outputs. For example architects are still consciously and frequently participating in bad competitions, it is not self-evident that jurors read the rules first and clients are failing to honour results. 
  3. Collecting data that contributes to misunderstandings and preconceptions in competition culture, including the commonly held beliefs that all problems arise from regulations.
  4. Collecting data into how, in each country, European, national and local laws and regulations are arranged, weighted and customised in competitions so as to provide insights on the benefits and disadvantages of the varied national applications. 

FOR FURTHER INFORMATION – SEE THE FULL SUBMISSION DETAILS AVAILABLE HERE PCompass Open Call for VeniceWe look forward to receipt of your submission(s) to this Open Call for the Venice Biennale 2018

Architectuur Lokaal logoA10 new architectural cooperative

Project Compass Newsletter December 2017

Newsletter December 2017

The Project Compass Newsletter December 2017 highlights some of our activities  over the past 18 months, the publications that have been output, a procurement trends report and our anticipated future activities.

Information on our exciting programme and the range of new activities we plan may be of particular interest to all our supporters and site users.  We welcome your participation, collaboration and engagement in some, or any of these, and particularly any contributions towards the Venice Biennale 2018 works. Submission information on this will be made available shortly.

Other activities of interest include the development of more and better engagement in educational modules and our Guerrilla Competitions programme.

As an organisation promoting open access and engagement we always remain open to advancing projects that may be brought forward to us by others, so long as they lie within our Community Interest Company remit. If you have any projects, programmes or ideas which you individually wish to advance, please talk to us or email us at projectcompaccCIC@gmail.com

Ten steps to improve architectural competition culture in Europe

Conference ‘Competition Culture in Europe’, group portrait. Sept. ’17;  Photo: Eva Kasbergen

|Palazzo Widmann at the Venice Biennale, May 24, 2018|

Last week Architectuur Lokaal with Project Compass organised the first, two-day conference on Competition Culture in Europe in Amsterdam. The results of a comparative research study of 17 countries was presented and extended with knowledge from other countries. The conference represents the start of a four-year project to improve the accessibility and transparency of competitions in Europe. The conference concluded with agreement being reached by representatives from over 25 countries to embark on the following programme over the next year.

Continue reading “Ten steps to improve architectural competition culture in Europe”

Heart of the matter: Why architects need a key role in the construction process

(This article was originally published in Planning & Building Control Today).

To find an architect lamenting the erosion of the profession’s role within the construction process may elicit from many little more than crocodile tears, and to others, smack of a futile act of self-preservation when faced with challenging financial targets, shrinking capital budgets and the avoidance of risk. But whilst architects’ railing at the demotion of quality in favour of ‘certainty’ is hardly new, events of the last year have suddenly thrust our concerns into the spotlight.

It is still far too early to apportion culpability for the horrific fire at Grenfell Tower in June, but it is possible that this may emerge as the latest, and most tragic, manifestation decreasing oversight that architects have been warning about for so long. At the very least, there is clear evidence that a lack of professional, independent scrutiny has resulted directly in catastrophic failures elsewhere which could — had circumstances been only very slightly different — have resulted in tragedies of their own.

Continue reading “Heart of the matter: Why architects need a key role in the construction process”

Good riddance to the Garden Bridge

Good riddance to the Garden Bridge: an eye-watering waste of public funds

Walter Menteth article originally published 11 May, 2017 in

 

 

With one swift blow, London Mayor Sadiq Khan confounded plans to construct a leafy walkway above the River Thames. By refusing to guarantee further public funds, the mayor leaves the Garden Bridge project with a funding gap of some £70m, and a countdown of just eight months until planning permission expires.

Continue reading “Good riddance to the Garden Bridge”